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Nice Try

by Red Scarves

supported by
Charles Franz
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Charles Franz The most vibrant rock band in Chicago returns with another batch of tuneful searching songs. More than a decade in and they're still as tight as ever and willing to broaden their sound. Favorite track: Lament.
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    Our 3rd LP on vinyl. Limited release of 100 copies. Pressed by Gotta Groove in Cleveland, OH. Includes a double sided insert complete with lyrics, credits, and photography by Kate Tun, Ayethaw Tun, and Robby Kuntz

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1.
Anyway 02:57
Push it right past the limit of common sense Will it bend or will it break? Please don’t shake if I don’t wake How long can this last? If you keep it up, you’ll burn out fast Just like a shooting star, your friends wonder where you are When you break, you’ll find After drunken nights and dry spells all collide Oh, what a way to turn the bright blue skies behind your eyes into gray Anyway… Wrong paths to take come from behind and up your spine Just like a friendly snake on an ancient holiday Pipe dreams afloat the wicked sea of memory Breaks into three away from me, another broken-hearted soul Long since I have met your eye But where does it say it can’t stay the same? I guess some things never change anyway Try to be a better man Realize it's something that you only planned to do Embrace your mistakes Take your place, anyway Anyway
2.
Runner 01:55
We got a runner (ooh) We got a runner, runner (ooh, ooh) We got a runner (ooh) We got a runner, runner (ooh, ooh) You hear the sound of someone running in corduroys That characteristic “swish, swish, swish” It's just me trying to get somewhere quickly A shooting star that can’t quite grant your wish Like a monkey’s paw, I might get it done But not exactly how you want me to Not with the grace of that sparkling rock in space Run, Forrest, run Slow down, it's not a race We got a runner (ooh) We got a runner, runner (ooh, ooh) We got a runner (ooh) We got a runner, runner (ooh, ooh)
3.
Staring at the screen flashing black and green Hides a dog-eared copy of a pilot magazine Wants more than freedom, needs space not just air One wing's in the clouds while one's in his chair Oh why, he once tried to be He once tried to be a pilot He once tried to be a pilot Oh why, was he so color blind He once tried to be a pilot He once tried to be a pilot He once tried to be a pilot He once tried to be... Knows every call sign like the back of his hand Could tell you every interchange from Germany to Japan But when you're lost and you can't find your way He's up in the tower and he'll happily trade See the airbus taxi as they pull away What hurts the worst he can hear what they say "One more reminder, this is a non-smoking flight," "The captain has turned on the fasten seat belt sign" Oh why, he once tried to be He once tried to be a pilot He once tried to be a pilot Oh why, was he both near and far-sighted He once tried to be a pilot He once tried to be a pilot He once tried to be
4.
Michael 03:41
Where have I come to? There’s not a soul that I would like to know The school day is slow without you there We went our separate ways But I didn’t choose this place to learn The incense burns, and the Father speaks And I hear my mother say “This is the path you take. Focus on how much you’ll make” A girl my age She goes to your school and she hands me A trick of fate, addressed to Ayethaw How? I’ve been so alone I wasn’t allowed to Phone you this whole time This life is not yet mine So I rush back home Just to read your typed out letter You’re doing well. “Calculus is hell.” But you’re going to try out for baseball in the spring You have a crush on Claire, and hope to make it a thing It made me laugh out loud Your confidence made me proud But there’s a bang on my door Mother takes your typed out letter “What the hell is this? I told you to distance yourself away from him. He’ll probably do you in. I know for a fact he will stab you in the back.” Then she tore your letter and I cried Things have since been better but I lied When I said there’s nothing I have left to hide It all comes rushing in When Michael wrote me back then
5.
The world didn’t end The holy flames never came The equalizer slipped away Guess we’ve gotta push this thing to market While I’m here, I may as well make use of these bulletproof sales techniques I’m running downhill It’s too late to stop Maybe at the end I’ll realize I should have found a gentler slope Maybe I’ll be thankful for the escape I’ve found in my fast-moving cage Limitations masquerade as progress Guess you’ve gotta give to take Probably I think too much Take me home Take me home Never mind
6.
Alice 03:27
Oh Alice, you’re killing me with your lies (You’re killing me with your lies) Alice, I told you once, maybe twice (Told you twice, told maybe three times) So tell me quickly if things are not going fine Cuz I still wanna be with you Oh Alice, is somebody writing your blues? (Somebody is writing your blues) Alice, is somebody pointing at you? (You’re pointing at somebody too) And seeing double is not good for tonight Even after everything you put me through Alice, you’re getting old and you’re trying to be someone you’re not But you sold your soul to somebody who already lost it all for you Oh, Alice… I tried my best to keep us both alive Even after everything I’ve done for you Alice, you’re getting old and you’re trying to be someone you’re not But you sold your soul to somebody who already lost it all for you Oh, Alice (You’re killing me with your lies) Please, Alice (You’re killing me with your lies)
7.
Portraits 04:17
Walking along the street arts and song fair Something feels wrong, you don’t belong there Something feels strange, stand and rearrange them Don’t you feel lame, lean on an old artist's cane Portraits of Wilson You way overpaid for false skies, nature-made There goes the funeral-cade Finally the time you can unwind The thoughts in your mind, the knots that you bind When someone from below says “You call this a show?” What do you know? Won’t realize til tomorrow Portraits of Wilson You way overpaid for false skies, nature-made There goes the funeral-cade Soft songs, willingly plain A house of cards in the rain There goes the funeral-cade What a surprise, The crowd always dies down long after the wise realize their time's run out Portraits of Wilson You way overpaid for false skies, nature-made There goes the funeral-cade There goes the funeral-cade
8.
And when the end comes You'll be standing there You give me your hand And I let go of despair We're on a beach where Time does not exist You show me pictures of things I might have missed I'm sent back to the top of the stairs A memory, of someone who saved me My mother said "There's angels in your life" It's okay to be lonely That's what he told me You turn the page Another happy scene He's much better at guitar We thought we'd make it big But then the picture starts to fade And I fall into the tar You say "as you can see I am not the only one" You flash your smile And tell me you're not done I'm sent back to the sectionals it's good to be with another minority My father said Be proud to be Rakhine We carried on our backs What the other kids lacked You change the scene Baton passed to a friend He's much faster than the rest Seems I've known the best I forget sometimes I know You always know how to show What I have
9.
Lament 05:38
No, the sun won’t shine today That much is known The sky’s alive in a different way The weatherman told me so The green is gone off the lawn Won’t be long now before it's too fast From scene to scene it's a whole new cast “Lights, camera, action” was way in the past We thought it’d last Change the reel, pack and seal it up There’s been a shift in brevity Have you felt the change? Guys are picking wives, houses, cars to drive When all I’m saying is “Same shit, different day” A time to die, time to rest Things that people love the best As long as there’s ease and tenderness I will go quiet Let the rain wash away Let the rain wash away No, the sun won’t shine today The sky’s alive in a different way No, the sun won’t shine today The sky’s alive in a different way

about

NICE TRY


—————————————————————

This album is about failure.

—————————————————————

Red Scarves played what would be our final show of 2020 on February 14th. It was an art show/market showcase at The Metro. I remember it felt like a big deal for us. We were hot off the release of our second album, Annuals, in December 2019. I thought 2020 was shaping up to be a bigger and better year for us.

I was wrong. We would not play another show for 18 months.

We were all isolated for a while. We recently lost our rehearsal space and Covid prevented any kind of normal meetups. However, this did not stop us from writing and sharing songs with one another through our group chat.

By September 2020, we found a new (and bigger) rehearsal spot. We masked up and went to work. With no distractions or deadlines, we were galvanized to make our third LP.

For a very bleak year, these were some my favorite memories of 2020.

By the time 2021 rolled around, we had around 18 songs. Over time, we deemed on 14 of them worthy of release. We had no specific idea as to how they would all fit on an album. We would eventually settle on releasing five songs separately which later became the Ghost Hunter EP.

The recording sessions for “LP3” began in June 12th, 2021 at Palisade Studios. The whole experience at Palisade was a performance in itself. All basic tracks were recorded live in the room with each other onto the 16 track tape machine. This was not a method that was foreign to us but 14 songs over three days felt a little like taking the ACT three days in a row. No more than 3-5 takes per song. Complete focus and efficiency was crucial for getting everything recorded and sounding right.

We recorded overdubs, like the brass ensemble on “Lament,” at Shirk Studios in September of 2021. Keyboard overdubs continued at Jamdek Studios February of 2022. Vocals and other overdubs were recorded throughout 2021 in our homes. The record was produced and mixed by Dave Vettraino with additional engineering from Ryan Donlin and Doug Malone. Final mastering was completed by Greg Obis in early 2022 and album artwork/design was completed a few months later by Elijah Montez. They all did marvelous jobs.

The title of the album came about like this:

Braden messaged the Red Scarves group chat at 7:43am on July 9, 2021

“I had a dream that I came to you guys and I wanted to call the album ‘Nice Try’”

I replied later: “Nice Try?”

Ayethaw: “What’s the thought process behind it? I kind of like it but I guess it is a bit simple and maybe not as searchable? But I could be wrong.”

Braden: “All the songs are about how we try and fail (for the most part) but it was good to try in the first place.”

Ayethaw:“Ahhh”

Braden: “It made sense to my dream self at least, then Robby and I were wrestling alligators and baby lions. No joke.”

That name stuck with me. Nice Try. Almost like a powerful, unseen force was taunting us with a low, throaty voice:

“… ha ha ha… nice… try…”

I think it perfectly captured the mood we were in. At the time, It felt like all of the blood, sweat, and tears of the past few years now meant little to nothing. We had dealt with obstacles in the past but this was different. We were starting from scratch again but this time we would be entering a completely changed world. It’s very hard starting over again. It can crush your soul. I think some bands tend to implode from this.

But we didn’t. We found solace and freedom in each other. If this album proves anything about Red Scarves, it’s that we have some sort of weird gravity that keeps us in each other’s orbits. I don’t really know how to describe this bond other than love. We love each other. We love making music together. In a way, Nice Try is monument to that love. Despite all of our failures and shortcomings, we still love each other. We try and fail (for the most part) but it was good to try in the first place because it made us better people. I think that is worth something.

I joined Red Scarves when I was 18 years old. I’m 28 now. I don’t know what the future holds (who does?) but I’m proud we made this record. I’m proud we got to work with so many talented and wonderful people throughout the process of making this record. I’m proud to be in this band. Thank you to our families, peers, and fans for supporting us.

Peace & Love,

Robby Kuntz

credits

released April 26, 2024

Recorded at Palisade Studios in Chicago, IL
Additional recording at Shirk Studios and Jamdek Recording Studio and our apartments/homes

Recorded and engineered by Dave Vettraino
Additional engineering by Ryan Donlin and Doug Malone
Mixed by Dave Vettraino
Mastered by Greg Obis

Braden Poole - vocals, guitar, acoustic, euphonium
Ayethaw Tun - vocals, guitar, bass, acoustic
Ryan Donlin - vocals, guitar, bass, acoustic, synths, piano, rhodes, double bass, percussion
Robby Kuntz - vocals, drums, percussion, wurlitzer, piano, synth, organ

Michelle Pranger - valve trumpet (track 9)
Renee Vogen - french horn (track 9)

Cover design by Elijah Montez
Cover photo by Ayethaw Tun
Additional Photography by Kate Tun and Robby Kuntz

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Red Scarves Chicago, Illinois

four pals from chicago

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